HONG KONG. 27 MARCH – 1 APRIL, 2018.
Venue: Art Central Hong Kong, 9 Lung Wo Road, Central, Hong Kong.
Building upon its critically acclaimed performance programme, Australia’s 4A Centre for Contemporary Asian Art (4A) returns to Art Central with a series of interactive and live works that address contemporary concerns of excess and dispossession. In an era characterised by polarities, and expansive disparity across societies, the pervasive sense of tension informs the thematic of the programme. Showcasing leading contemporary artists from across the Asia-Pacific region, the works respond directly to global unease through a series of daily on-site performances. Participating artists include: Caroline Garcia (Australia), FJ Kunting (Indonesia), Sam Lo (Singapore) as well as artist duo Sampson Wong & Lam Chi Fai (Hong Kong).
About the Artists and their Artworks:
Sampson Wong and Lam Chi Fai’s new media installation, Pavilion for our living, contemplates the housing crisis currently affecting Hong Kong citizens. The installation invites participants to experience the micro-apartments that many Hong Kong citizens call home. Temporarily simulating one of these apartments within the art fair environs, the exhibition space becomes one of containment. Once inside the simulated space the viewer gains access to audio interviews with micro-apartment dwellers on how they navigate these literal spaces, along with the problems attached to living inside one of these homes.
Sampson Wong (b.1985) and Lam Chi Fai (b.1985) are Hong Kong based artists who have collaborated in art-making since 2010. Their collaborative works received the First Prize in Freedom Flower Awards, the Gold Award and Silver Award of ifva and were exhibited in the Hong Kong Museum of Art and the Slought Foundation. They have formed the Add Oil Team to focus on projects concerning creative activism, the collective were committedly practiced during Hong Kong‘s Umbrella Movement, and their projects have been recently exhibited in the 5th Asian Art Biennial.
Monday 26th: 5pm – 9pm
Tuesday 27th: 12.00pm – 1.30pm & 2.30pm – 4.30pm
Wednesday 28th: 12.00pm – 1.30pm & 2.30pm – 4.30pm
Thursday 29th: 12.00pm – 1.30pm & 2.30pm – 4.30pm & 5.30pm – 8pm
Friday 30th:12.00pm – 1.30pm & 2.30pm – 4.30pm, 5.00pm – 6.30pm
Saturday 31st: 12.00pm – 1.30pm & 2.30pm – 4.30pm, 5.00pm – 6.30pm
Sunday 1st: 12.00pm – 1.30pm & 2.30pm – 4.30pm
Caroline Garcia’s The Vitrine of Dancing Cultures, references the seminal performances of Guillermo Gómez-Peña and Coco Fusco. Garcia’s work interrogates the anthropological phenomenon of the ‘ethnographic exhibition’, which has placed subaltern bodies on display in museums, zoos, circuses and theatres throughout history . Garcia develops and builds upon this concept in The Vitrine of Dancing Cultures where the artist’s cis-female, coloured body is encased within a vitrine, confronting degrees of politicisation, as her cultural identity and gender is put on show. The Vitrine of Dancing Cultures is a museographic dance installation that presents auto-ethnographic portraits of Garcia, bringing forth her Filipino ancestry. She engages in a durational dance ritual using a Nintendo Wii to examine the neocolonisation of popular culture and cultural tourism. Through repetition, this performance brings into question an individual’s stamina when facing expectations of cultural competence and visibility.
Caroline Garcia (b.1988) is a culturally promiscuous performance maker. She works across live performance and video through a hybridised aesthetic of cross-cultural dance, ritual practice, new media, and the sampling of popular culture and colonial imagery. In her work, Garcia centres peripheral bodies by adopting the role of shape shifter – sliding into the gaps between cultures, experiences of otherness, and timeless clichés of exotic femininity. Garcia has presented at Manila Biennale: OPENCITY2018 (Manila, Philippines), The Art Gallery of New South Wales (Sydney, Australia), Channels: The Australian Video Art Festival (Melbourne, Australia).
Monday 26th: 5.30pm – 6.15pm
Tuesday 27th: 3.00pm – 3.45pm
Wednesday 28th: 3.00pm – 3.45pm
Thursday 29th: 3.00pm – 3.45pm & 5.30pm – 6.15pm
Friday 30th: 3.00pm – 3.45pm & 5.30pm – 6.15pm
Saturday 31st: 3.00pm – 3.45pm & 5.30pm – 6.15pm
Sunday 1st: 3.00pm – 3.45pm
TALK and Goal: Strong Relationship, but first, talk! are two durational performances by Indonesian artist FJ Kunting. TALK is a durational exercise in the resistance of excess. The artist explores the struggle and the fight for his voice to be heard. Tethered to a contraption of tools and pipes he attempts to speak, however his speech is reduced to bubbles that, over time, envelop him. As exhaustion nears, the futility of his effort becomes apparent with the artist ceasing to struggle and the bubbles slowly disappear. In Kunting’s second performance, Goal: Strong Relationship, but first, talk, language remains the heart of all communication. Kunting examines the ebb and flow of conversation as two figures, faceless except for a spout, appear in a wordless discussion. Talk is reduced to a bubble exchange, with each figure conversing through a stream of bubbles. While infinitely playful, these performances reveal patterns of conversation, exchange and balance in relationships.
FJ Kunting (b.1982) is a Yogyakarta, Indonesian based artist who has been developing a performance practice since 2012. Widely regarded as one of Indonesia’s most exciting performers, Kunting is fundamentally interested in an examination of human relations and engagement. His live performances are durational and hypnotic.
Tuesday 27th: 11.30am – 12.15pm
Wednesday 28th: 11.30am – 12.15pm
Thursday 29th: 11.30am – 12.15pm & 7.30pm – 8.15pm
Friday 30th: 11.30am – 12.15pm
Saturday 31st: 11.30am – 12.15pm
Sunday 1st: 11.30am – 12.15pm
Progress: The Game of Leaders, invites audiences to participate in a high-stakes game of imagined nation building. Artist Sam Lo poses the question: “Where will you be standing when the First World falls?” Working with giant Jenga blocks, participants are invited to prioritise and select the building blocks of their ideal society. In your nation, will economic progress be favoured over military spending? Higher standards of living or increasing globalisation? As players jockey for top position in the imaginary nation’s guidance, the structure grows more precarious and its foundations ever more compromised. The game can only end one way.
Sam Lo (b.1986), also known by the moniker SKL0, is a Singaporean contemporary artist whose work is heavily inspired by daily observations and research on the sociopolitical climate. In 2013 her practice was placed under scrutiny, following her 2013 arrest for vandalism and subsequent sentencing of 240 hours of community service, bringing issues such as public space, freedom of expression and activism to the fore. Progress: The Game of Leaders was commissioned by 4A Centre for Contemporary Asian Art and premiered at MPavilion as part of Melbourne Festival, 2017.
Monday 26th: 7pm – 8pm
Tuesday 27th: 1pm – 2.30pm
Wednesday 28th: 1pm – 2.30pm
Thursday 29th: 1pm – 2.30pm & 6.30 pm -7.30pm
Friday 30th: 1pm – 2.30pm
Saturday 31st: 1pm – 2.30pm
Sunday 1st: 1pm – 2.30pm