Holding Patterns: Crossing Threads

SYDNEY

4A HAYMARKET

6 – 30 AUGUST 2020

In a period of uncertainty and stasis, artists have demonstrated the capacity of human creativity through artistic innovation, lateral thought, and inspired action. In our current period of changes and shifts, 4A is pleased to invite you to engage with Holding Patterns, a series of four solo exhibitions on view from July to October. Curated by Con Gerakaris and Reina Takeuchi, these exhibitions highlight and support the works of Sydney-based artists Kien SituCrossing Threads®, Shireen Taweel and Sofiyah Ruqayah, utilising our ground-floor gallery space and windows out onto Haymarket’s streets.

View the Holding Patterns: Crossing Threads roomsheet here.

View the Holding Patterns: Crossing Threads wall labels here.


To coincide with the exhibition, 4A presented an Instagram Live talk on 16 August with artists and sisters Lauren Hernandez and Kass Hernandez, who work under the collaborative name Crossing Threads. Holding Patterns curator Con Gerakaris spoke with the duo about the socio-cultural, environmental and familial stories that inform their practice, as well as the interesting materials and methods that make up the multi-textural works on display at 4A. This live-streamed talk was recorded in our Haymarket gallery and is part of our 4A TALKS series.

Watch the Instagram Live talk HERE.

Listen to the talk below.


Crossing Threads® is the collaborative work of Australian-born sisters of Filipino heritage Lauren Hernandez (b. 1988, Sydney) and Kass Hernandez (b. 1989, Sydney). These self-taught tapestry artists first explored the practice of weaving in early 2015 by attending a beginner’s workshop. Known for their large-scale and highly textural handwoven pieces, the Hernandez sisters seek to emulate the natural forms found in nature. Their carefully curated fibre selections include Australian Merino wool, plant-based fibres, up-cycled/dead-stock fabrics and other foraged items that aren’t traditionally used in fibre art. Their practice has led them to develop their recognisable ‘interknot’ technique, made up of intertwining hand-knotted chains of varying texture and thickness which graduate to a relief. The artists continually draw spiritual inspiration from their surrounding landscapes and personal experiences and are materialised through their abstract designs.


Exhibition Documentation: 

All images: Kai Wasikowski

Blue and white textile hanging, suspended off a painted Tasmanian oak wooden dowel in a white gallery space
Crossing Threads®; Holding Patterns: Crossing Threads®; Installation view, 4A Centre for Contemporary Asian Art, August 2020. Crossing Threads®: (Back Right): THE DIVIDE, 2020, alpaca, bamboo, canvas, cotton, cotton roping, felted Merino wool, hand cut denim, hand cut leather, hand dyed raffia, hand dyed Shibori, hemp, linen, marine roping, Merino wool, mixed natural fibres, Pima cotton; suspended off a painted Tasmanian oak wooden dowel; handwoven by Kass HernandezLeft Wall Right: Crossing Threads, Consolation, 2020, bamboo, cotton, hand dyed Merino wool, handspun upcycled yarn, hemp, leather, linen and mixed natural fibres framed in Tasmanian oak. Handwoven by Kass Hernandez,  courtesy the artists.

Close-up image of detailed weaving of blue and white roping and fibres

Crossing Threads®; Holding Patterns: Crossing Threads®; Installation view, 4A Centre for Contemporary Asian Art, August 2020. Crossing Threads®: (Back Right): THE DIVIDE (detail), 2020, alpaca, bamboo, canvas, cotton, cotton roping, felted Merino wool, hand cut denim, hand cut leather, hand dyed raffia, hand dyed Shibori, hemp, linen, marine roping, Merino wool, mixed natural fibres, Pima cotton; suspended off a painted Tasmanian oak wooden dowel; handwoven by Kass Hernandez, courtesy the artists. 

Close up image of detailed weaving of blue and white roping and threads

Crossing Threads®; Holding Patterns: Crossing Threads®; Installation view, 4A Centre for Contemporary Asian Art, August 2020. Crossing Threads®: (Back Right): THE DIVIDE (detail), 2020, alpaca, bamboo, canvas, cotton, cotton roping, felted Merino wool, hand cut denim, hand cut leather, hand dyed raffia, hand dyed Shibori, hemp, linen, marine roping, Merino wool, mixed natural fibres, Pima cotton; suspended off a painted Tasmanian oak wooden dowel; handwoven by Kass Hernandezcourtesy the artists. 

A glass panelled wall looking into a gallery space with textile hangings

Holding Patterns: Crossing Threads®; Installation view, 4A Centre for Contemporary Asian Art, August 2020, courtesy of the artists. 

Close-up image of different fibres in shades of brown woven together

Crossing Threads®; Holding Patterns: Crossing Threads®; Installation view, 4A Centre for Contemporary Asian Art, August 2020. Crossing Threads®, UNDER MY SKIN (detail view), 2020, Bamboo, chenille, Egyptian cotton, hemp, Japanese silk, jute, leather, linen, merino wool, mulberry tussah, raffia and wire on galvanised steel frame Handwoven by Lauren and Kass Hernandez, photo: Kai Wasikowski, image courtesy of the artists. 

A Filipina woman in an orange dresswith long brown hair looks at a circular textile hanging

Crossing Threads®; Holding Patterns: Crossing Threads®; Installation view, 4A Centre for Contemporary Asian Art, August 2020. Crossing Threads®, UNDER MY SKIN, 2020, Bamboo, chenille, Egyptian cotton, hemp, Japanese silk, jute, leather, linen, merino wool, mulberry tussah, raffia and wire on galvanised steel frame Handwoven by Lauren and Kass Hernandez, courtesy of the artists.

A woman in a teal-blue jacket and orange dress looks at a large textile hanging of blue and white fibres

Crossing Threads®; Holding Patterns: Crossing Threads®; Installation view, 4A Centre for Contemporary Asian Art, August 2020. Crossing Threads®: (Back Right): THE DIVIDE, 2020, alpaca, bamboo, canvas, cotton, cotton roping, felted Merino wool, hand cut denim, hand cut leather, hand dyed raffia, hand dyed Shibori, hemp, linen, marine roping, Merino wool, mixed natural fibres, Pima cotton; suspended off a painted Tasmanian oak wooden dowel; handwoven by Kass HernandezLeft Wall Right: Crossing Threads, Consolation, 2020, bamboo, cotton, hand dyed Merino wool, handspun upcycled yarn, hemp, leather, linen and mixed natural fibres framed in Tasmanian oak. Handwoven by Kass Hernandez,  courtesy the artists. 

A Filipina woman in a grey checked dress looks at a woven panel of coloured fibres

Crossing Threads®; Holding Patterns: Crossing Threads®; Installation view, 4A Centre for Contemporary Asian Art, August 2020, Kass Hernandez of Crossing Threads® with the following works: (Left) Crossing Threads®, Seek, 2020, bamboo, cotton, hand dyed Merino wool, hemp, Japanese silk and paper, linen, mixed natural fibres and sari silk framed in Tasmanian oa. Handwoven by Lauren Hernandez. (Right) Crossing Threads®, Consolation, 2020, bamboo, cotton, hand dyed Merino wool, handspun upcycled yarn, hemp, leather, linen and mixed natural fibres framed in Tasmanian oak. Handwoven by Kass Hernandez.

A woman in a teal-blue jacket and orange dress walks past six panels of different woven fibres

Image: Crossing Threads®; Holding Patterns: Crossing Threads®Installation view, 4A Centre for Contemporary Asian Art, August 2020. From Left: Crossing Threads®, Seek, 2020, bamboo, cotton, hand dyed Merino wool, hemp, Japanese silk and paper, linen, mixed natural fibres and sari silk framed in Tasmanian oa. Handwoven by Lauren Hernandez. Centre: Crossing Threads®, Consolation, 2020, bamboo, cotton, hand dyed Merino wool, handspun upcycled yarn, hemp, leather, linen and mixed natural fibres framed in Tasmanian oak. Handwoven by Kass Hernandez. Right: Crossing Threads®, Inward State, 2020, bamboo, cotton, hand dyed Merino wool, hemp, Japanese silk and paper, linen, mixed natural fibres and sari silk framed in Tasmanian oak. Handwoven by Lauren Hernandez, courtesy the artists. 

Return to Holding Patterns exhibition page