Performance X 4A at Art Central.

HONG KONG. 20 – 25 MARCH 2017.

Venue: Art Central Hong Kong, 9 Lung Wo Road, Central, Hong Kong.

Image by Tania Palmier Gherardi courtesy of Anida Yeou Ali.

4A returns to Art Central Hong Kong with a performance program with a series of diverse and compelling works. These leading performance artists are all working to question and challenge expectations of the norm – they ask you to imagine yourself in a different form, challenge you to rethink your expectations and invite you to speculate on a spectacle. Through the six days of the fair these artists will perform new iterations of some of their most lauded works. Tobais Gutmann’s face-o-mat returns to Asia after adventures in Papua New Guinea and Japan to refigure and redesign your face, Anida Yeou Ali’s Red Chador will weave through the crowds alongside you as you browse the booths and Hahan will invite you to hack the art market. Premiering at Art Central will be new performance works from Enoch Cheng (HK) and Amrita Hepi (AUS).

Works that will be presented as part of Performance x 4A at Art Central are:

  • Enoch Cheng – Fair Gestures/ 動靜不失其時
  • Uji Handoko Eko Saputro aka Hahan – Speculative Entertainment No.1 Hong Kong Edition
  • Tobias Gutmann – Face-o-Mat
  • Amrita Hepi –This ______________ may not protect you but at times its enough to know it exists.
  • Anida Yoeu Ali – The Red Chador – Ban Me!


Enoch Cheng (1983, Hong Kong.) lives and works in Hong Kong, Hong Kong. Enoch Cheng is an artist, director, performer, writer, independent curator, and founder of art collective Interlocutor.  His practice involves the moving image, installation, curating, dance, music events, theatre and performance. Concerned with the everyday subtleties in contemporary urban lives, his works explore recurrent themes of place, travel, fiction, memory, time and destination. He received his MA in Creative Writing from Goldsmiths, London and BA in English Literature and Art History at the University of Hong Kong. His most recent shows in Hong Kong include You Are Not Alone at Oi! Oil Street Art Space and The Memory of Proximity at Hong Kong Museum of Art.

Uji Handoko Eko Saputro aka Hahan (1983, Kebumen, Indonesia) lives and works in Jogjakarta, Indonesia. 
Hahan’s art making is concerned with the tussle between ‘high art’ and ‘low art’, blurring realism with decoration. Hahan incorporates film, music and street culture into a distinct visual language, creating a sense of movement and spontaneity in what can be described as a topsy-turvy reality steeped in satirical humor. In recent years, he attempts to display an art with the concept that emphasizes on the interaction with the visitors and relate it with the development of art in global as well as its society. He also one of the founders of Ace House Collective, a young artists’ collective and initiative space based in Yogyakarta which trying to capture the culture of Indonesian contemporary society through multidiscipline work process, collaboration, and research.His works have been collected by several art museum including Queensland Art Gallery of Modern Art (QAGOMA) Brisbane, Australia and National Gallery of Victoria (NGV) Melbourne, Australia.

Tobias Gutmann (1987, Wewak, Papua New Guinea) lives and works in Zurich, Sweden. At the heart of Tobias Gutmann’s artistic practice lies the creation and investigation of encounters – between people, cultures, and environments, but also between what we perceive on the outside and what we feel on the inside. The Swiss artist aims to set up situations where such a dialogue can happen. His works morph between performance, installation, and workshops, and often have relational and participatory aspects to them. His Face-O-Mat, analogue portrait machine, has been traveling the world since 2012 and will feature at Art Central 2017. It can be viewed as a quiet critique of how technology has made us obsessed with assembling and portraying an identity that puts us in the best light. Previous Face-O-Mat projects include: Museum Haus Konstrktiv, Zurich, Switzerland, Supergraph, Melbourne, Australia and Mudam, Luxembourg City, Luxembourg.

Amrita Hepi (1989, Townsville, Australia) lives and works in New South Wales, Australia. Amrita Hepi is a Bundjulung and Ngapuhi dancer and choreographer working in the field of experimental dance. Her choreography is rooted in creating movement in transitional spaces, interweaving her urgent cultural heritage and contemporary dance training. The barriers of intersectionality, cultural memory and pop cultural references also feature in her work. Amrita has trained at the National Aboriginal Islander Skills Development Association (NAISDA) dance college, New South Wales, Australia and Alvin Ailey American Dance School, New York. She has exhibited and performed at Sydney Opera House, Sydney, Next Wave Festival, Melbourne, the Museum of Contemporary Art, Australia, the Australian Centre for Contemporary art, Melbourne, Carriageworks, Sydney, TEDX, Sydney and Banff Centre, Alberta, Canada.

Anida Yoeu Ali (1974, Battambang, Cambodia) lives in Seattle, Washington, United States of America and works between the Asia-Pacific and US. Anida Yoeu Ali is an artist, educator and global agitator. Ali’s multi-disciplinary practices include performance, installation, videos, images, public encounters, and political agitation. She is a first generation Muslim Khmer woman born in Cambodia and raised in Chicago. Utilizing an interdisciplinary approach to art-making, her installation and performance works investigate the artistic, spiritual and political collisions of a hybrid transnational identity. Ali’s works have been exhibited widely in including installations and performances at the Smithsonian Asian Pacific American Center, 5th Fukuoka Asian Art Triennial, Lyon Museum of Contemporary Art, Palais de Tokyo, and the Asia Pacific Triennial 8.  In 2014, Ali won the top prize of the Sovereign Art Prize, Hong Kong. Ali earned her B.F.A. from University of Illinois (Urbana-Champaign) and an M.F.A. in from School of the Art Institute Chicago. She is currently the Artist-in-Residence at the University of Washington Bothell where she teaches art, performance and global studies courses. Ali resides in Tacoma, Washington and spends much of her time traveling and working between the Asia-Pacific region and the US.