SUPERPOSITION: Equilibrium and Engagement – 21st Biennale of Sydney

SYDNEY. 16 MARCH – 11 JUNE 2018.

 

21st Biennale of Sydney

SUPERPOSITION: Equilibrium & Engagement

16 March – 11 June, 2018

4A Centre for Contemporary Asian Art and other venues

Artistic Director: Mami Kataoka

 

SUPERPOSITION: Equilibrium & Engagement will examine the theory of ‘superposition’ by investigating how it might operate in the world today. 70 leading international artists – chosen to offer a panoramic view of how opposing interpretations, can come together – will participate across seven venues. The exhibition at Artspace, Sydney will feature exceptional new projects by a diverse field of celebrated international artists.

 

Exhibiting artists at 4A Centre for Contemporary Asian Art:

Akira Takayama: Born 1969 in Saitama, Japan. Lives and works in Tokyo, Japan; Yokohama, Japan; and Frankfurt, Germany
Jun Yang: Born 1975 in Qingtian, China. Lives and works in Vienna, Austria; Taipei, Taiwan; and Yokohama, Japan

 

Biennale of Sydney

2018 marks the 45th anniversary of the Biennale of Sydney and its twenty-first edition. The Biennale provides a platform for art and ideas and is recognised for commissioning and presenting innovative, thought-provoking art from Australia and around the globe. A leading international art event, The Biennale of Sydney has showcased the work of nearly 1,800 artists from more than 100 countries. It has attracted over 4 million visitors since its inception in 1973 and holds an important place on both the national and international stage.

The Biennale of Sydney is located on the traditional lands of the Gadigal people of the Eora nation. We acknowledge the Traditional Custodians of the Land and pay respect to Elders, both past and present.

 

Mami Katoka, Artistic Director

Internationally renowned curator Mami Kataoka is a key figure in analysing socio-historical and generational trends, particularly in the context of Japanese and Asian art, and frequently writes and lectures on contemporary art in Asia.

She has held the position of Chief Curator of the Mori Art Museum (MAM) in Tokyo since 2009, and Senior Curator since 2003. At MAM, Kataoka has curated numerous notable exhibitions including ‘Roppongi Crossing’ (survey show of contemporary Japanese art) (2004, 2013), ‘Sensing Nature: Perception of Nature in Japan’ (2010); as well as major survey shows of prominent artists in Asia such as Tsuyoshi Ozawa, Ai Weiwei, Lee Bul, Makoto Aida, Lee Mingwei and N.S. Harsha.

Exhibition Documentation
All images: Document Photography

Jun Yang, Xīní / Xuělí Blue Room, 2018 (detail), installation and printed wallpaper, installation view (2018) at 4A Center for Contemporary Asian Art for the 21st Biennale of Sydney. Courtesy the artist; Galerie Martin Janda, Vienna; Vitamin Creative Space, Guangzhou; and ShugoArts, Tokyo.

Jun Yang, Xīní / Xuělí Blue Room, 2018 (detail), installation and printed wallpaper, installation view (2018) at 4A Center for Contemporary Asian Art for the 21st Biennale of Sydney. Courtesy the artist; Galerie Martin Janda, Vienna; Vitamin Creative Space, Guangzhou; and ShugoArts, Tokyo.

Jun Yang, Xīní / Xuělí Blue Room, 2018 (detail), installation and printed wallpaper, installation view (2018) at 4A Center for Contemporary Asian Art for the 21st Biennale of Sydney. Courtesy the artist; Galerie Martin Janda, Vienna; Vitamin Creative Space, Guangzhou; and ShugoArts, Tokyo.

Jun Yang, Xīní / Xuělí Blue Room, 2018 (detail), installation and printed wallpaper, installation view (2018) at 4A Center for Contemporary Asian Art for the 21st Biennale of Sydney. Courtesy the artist; Galerie Martin Janda, Vienna; Vitamin Creative Space, Guangzhou; and ShugoArts, Tokyo.

Jun Yang, Xīní / Xuělí Blue Room, 2018 (detail), installation and printed wallpaper, installation view (2018) at 4A Center for Contemporary Asian Art for the 21st Biennale of Sydney. Courtesy the artist; Galerie Martin Janda, Vienna; Vitamin Creative Space, Guangzhou; and ShugoArts, Tokyo.

Jun Yang, Xīní / Xuělí Blue Room, 2018 (detail), installation and printed wallpaper, installation view (2018) at 4A Center for Contemporary Asian Art for the 21st Biennale of Sydney. Courtesy the artist; Galerie Martin Janda, Vienna; Vitamin Creative Space, Guangzhou; and ShugoArts, Tokyo.

Jun Yang, Xīní / Xuělí Blue Room, 2018 (detail), installation and printed wallpaper, installation view (2018) at 4A Center for Contemporary Asian Art for the 21st Biennale of Sydney. Courtesy the artist; Galerie Martin Janda, Vienna; Vitamin Creative Space, Guangzhou; and ShugoArts, Tokyo.

Jun Yang, Xīní / Xuělí Blue Room, 2018 (detail), installation and printed wallpaper, installation view (2018) at 4A Center for Contemporary Asian Art for the 21st Biennale of Sydney. Courtesy the artist; Galerie Martin Janda, Vienna; Vitamin Creative Space, Guangzhou; and ShugoArts, Tokyo.

Jun Yang, Xīní / Xuělí Blue Room, 2018 (detail), installation and printed wallpaper, installation view (2018) at 4A Center for Contemporary Asian Art for the 21st Biennale of Sydney. Courtesy the artist; Galerie Martin Janda, Vienna; Vitamin Creative Space, Guangzhou; and ShugoArts, Tokyo.

Jun Yang, Xīní / Xuělí Blue Room, 2018 (detail), installation and printed wallpaper, installation view (2018) at 4A Center for Contemporary Asian Art for the 21st Biennale of Sydney. Courtesy the artist; Galerie Martin Janda, Vienna; Vitamin Creative Space, Guangzhou; and ShugoArts, Tokyo.

Akira Takayama, Our Songs - Sydney Kabuki Project, 2018, video documentation of performances that took place on 28 January 2018, 250 mins, installation view (2018) at 4A Center for Contemporary Asian Art for the 21st Biennale of Sydney. Filmmaker: Hikaru Fujii. Commissioned by the Biennale of Sydney with generous support from the Neilson Foundation and generous assistance from the Japan Foundation; the Australia-Japan Foundation of the Department of Foreign Affairs and Trade; and Mami Kataoka. Courtesy the artist.

Akira Takayama, Our Songs – Sydney Kabuki Project, 2018, video documentation of performances that took place on 28 January 2018, 250 mins, installation view (2018) at 4A Center for Contemporary Asian Art for the 21st Biennale of Sydney. Filmmaker: Hikaru Fujii. Commissioned by the Biennale of Sydney with generous support from the Neilson Foundation and generous assistance from the Japan Foundation; the Australia-Japan Foundation of the Department of Foreign Affairs and Trade; and Mami Kataoka. Courtesy the artist.

Akira Takayama, Our Songs - Sydney Kabuki Project, 2018, video documentation of performances that took place on 28 January 2018, 250 mins, installation view (2018) at 4A Center for Contemporary Asian Art for the 21st Biennale of Sydney. Filmmaker: Hikaru Fujii. Commissioned by the Biennale of Sydney with generous support from the Neilson Foundation and generous assistance from the Japan Foundation; the Australia-Japan Foundation of the Department of Foreign Affairs and Trade; and Mami Kataoka. Courtesy the artist.

Akira Takayama, Our Songs – Sydney Kabuki Project, 2018, video documentation of performances that took place on 28 January 2018, 250 mins, installation view (2018) at 4A Center for Contemporary Asian Art for the 21st Biennale of Sydney. Filmmaker: Hikaru Fujii. Commissioned by the Biennale of Sydney with generous support from the Neilson Foundation and generous assistance from the Japan Foundation; the Australia-Japan Foundation of the Department of Foreign Affairs and Trade; and Mami Kataoka. Courtesy the artist.

Akira Takayama, Our Songs - Sydney Kabuki Project, 2018, video documentation of performances that took place on 28 January 2018, 250 mins, installation view (2018) at 4A Center for Contemporary Asian Art for the 21st Biennale of Sydney. Filmmaker: Hikaru Fujii. Commissioned by the Biennale of Sydney with generous support from the Neilson Foundation and generous assistance from the Japan Foundation; the Australia-Japan Foundation of the Department of Foreign Affairs and Trade; and Mami Kataoka. Courtesy the artist.

Akira Takayama, Our Songs – Sydney Kabuki Project, 2018, video documentation of performances that took place on 28 January 2018, 250 mins, installation view (2018) at 4A Center for Contemporary Asian Art for the 21st Biennale of Sydney. Filmmaker: Hikaru Fujii. Commissioned by the Biennale of Sydney with generous support from the Neilson Foundation and generous assistance from the Japan Foundation; the Australia-Japan Foundation of the Department of Foreign Affairs and Trade; and Mami Kataoka. Courtesy the artist.

Akira Takayama, Our Songs - Sydney Kabuki Project, 2018, video documentation of performances that took place on 28 January 2018, 250 mins, installation view (2018) at 4A Center for Contemporary Asian Art for the 21st Biennale of Sydney. Filmmaker: Hikaru Fujii. Commissioned by the Biennale of Sydney with generous support from the Neilson Foundation and generous assistance from the Japan Foundation; the Australia-Japan Foundation of the Department of Foreign Affairs and Trade; and Mami Kataoka. Courtesy the artist.

Akira Takayama, Our Songs – Sydney Kabuki Project, 2018, video documentation of performances that took place on 28 January 2018, 250 mins, installation view (2018) at 4A Center for Contemporary Asian Art for the 21st Biennale of Sydney. Filmmaker: Hikaru Fujii. Commissioned by the Biennale of Sydney with generous support from the Neilson Foundation and generous assistance from the Japan Foundation; the Australia-Japan Foundation of the Department of Foreign Affairs and Trade; and Mami Kataoka. Courtesy the artist.

Akira Takayama, Our Songs - Sydney Kabuki Project, 2018, video documentation of performances that took place on 28 January 2018, 250 mins, installation view (2018) at 4A Center for Contemporary Asian Art for the 21st Biennale of Sydney. Filmmaker: Hikaru Fujii. Commissioned by the Biennale of Sydney with generous support from the Neilson Foundation and generous assistance from the Japan Foundation; the Australia-Japan Foundation of the Department of Foreign Affairs and Trade; and Mami Kataoka. Courtesy the artist.

Akira Takayama, Our Songs – Sydney Kabuki Project, 2018, video documentation of performances that took place on 28 January 2018, 250 mins, installation view (2018) at 4A Center for Contemporary Asian Art for the 21st Biennale of Sydney. Filmmaker: Hikaru Fujii. Commissioned by the Biennale of Sydney with generous support from the Neilson Foundation and generous assistance from the Japan Foundation; the Australia-Japan Foundation of the Department of Foreign Affairs and Trade; and Mami Kataoka. Courtesy the artist.

Akira Takayama, Our Songs - Sydney Kabuki Project, 2018, video documentation of performances that took place on 28 January 2018, 250 mins, installation view (2018) at 4A Center for Contemporary Asian Art for the 21st Biennale of Sydney. Filmmaker: Hikaru Fujii. Commissioned by the Biennale of Sydney with generous support from the Neilson Foundation and generous assistance from the Japan Foundation; the Australia-Japan Foundation of the Department of Foreign Affairs and Trade; and Mami Kataoka. Courtesy the artist.

Akira Takayama, Our Songs – Sydney Kabuki Project, 2018, video documentation of performances that took place on 28 January 2018, 250 mins, installation view (2018) at 4A Center for Contemporary Asian Art for the 21st Biennale of Sydney. Filmmaker: Hikaru Fujii. Commissioned by the Biennale of Sydney with generous support from the Neilson Foundation and generous assistance from the Japan Foundation; the Australia-Japan Foundation of the Department of Foreign Affairs and Trade; and Mami Kataoka. Courtesy the artist.