Art and Activism: Changing the Conversation

SYDNEY. SUNDAY 20 JAN 2019. 12.00 – 2.00PM

Prominent Chinese artist Xiao Lu appears in conversation with Sydney Festival Director Wesley Enoch to discuss her solo exhibition Xiao Lu: Impossible Dialogue 肖鲁:语嘿 . This talk focuses on how art can be a platform for championing important debate – ultimately, reframing conversation and changing minds. This event is part of the Sydney Festival program for 2019.

Xiao Lu (born 1962, Hangzhou) works with performance and installation. She is a graduate of the Subsidiary School of the Central Academy of Fine Arts, Beijing and Zhejiang Academy of Fine Arts (China Academy of Art), Hangzhou. Her graduation work Dialogue was included in the China/Avant-Garde exhibition in Beijing in 1989 and became famous after she fired a gun at it, which led to her temporary arrest and an extended period of residence in Sydney. Xiao Lu’s fictional memoir Dialogue《对话》, published in Chinese and English in 2010, exposed powerful forces affecting women artists in contemporary China. Xiao Lu’s work has been included in important international exhibitions, most recently Performer and Participant, Tate, London (2018) and Art and China After 1989: Theatre of the World, Guggenheim Museum, New York (2017), and been collected by public and private institutions including the Tate, London; Museum of Modern Art, New York; Taikang Insurance Group Art Collection, Beijing; and White Rabbit Collection, Sydney. Xiao Lu lives and works in Beijing and Australia.

Xiao Lu: Impossible Dialogue is produced and presented by 4A Centre for Contemporary Asian Art. This exhibition and associated programming are supported by the Australian Government through the Australia-China Council of the Department of Foreign Affairs and Trade, the Australian Research Council (ARC) Future Fellowship project led by Dr Claire Roberts Reconfiguring the World: China. Art. Agency. 1900s to Now (FT140100743), and the Faculty of Arts, School of Culture and Communication, The University of Melbourne.