Director: Mikala Tai, 2015 –
Business Manager: Pedro de Almeida, 2012 –
Deputy Director: Bridie Moran, 2016 –
Assistant Curator: Reina Takeuchi, 2019 –
Assistant Curator: Micheal Do, 2016 –
Program Coordinator: Con Gerakaris, 2015 –
Operations and Production Coordinator: Kai Wasikowski, 2017 –
Marketing and Programs Coordinator: Rob Henningham, 2019 –
Gallery Assistant: Dacchi Dang, 2019 –
Gallery Assistant: Lucia Nguyen, 2019 –
Mikala Tai – Director
Mikala is a curator, researcher and academic specialising in contemporary Asian art and Australian design, who over the past decade has collaborated with local, national and international organisations to strengthen ties between Australia and Asia. Curatorial projects include Closing The Gap: Contemporary Indonesian Art (2011) at Melbourne International Fine Art (MIFA) when she was director; Yang Yongliang (2009) at 45 Downstairs, Melbourne; public programs for Swimming in Sand; Growing Rice under an Umbrella (2014) at No Vacancy Gallery, Melbourne; project managing Common Threads (2015), a project initiated by the Council of Textile and Fashion Industries of Australia (TFIA) to strengthen the relationship between Australian fashion and textiles and Hong Kong; and leading VIP Tours to Art Basel Hong Kong, Art Dubai and Sharjah Biennale. As an academic Mikala has taught at both RMIT and the University of Melbourne in both undergraduate and graduate programs in Contemporary Art, Modernism and Exhibition Management, in addition to having devised and delivered the inaugural Contemporary Asian Art syllabus at RMIT (2012 – ) and the first China Fieldwork Course (2015 – )with Rebecca Coates and Kate McNeill at the University of Melbourne. More recently Mikala was the founder and director of Supergraph – Australia’s Contemporary Graphic Art Fair, which has been held twice at the Royal Exhibition Building in Melbourne and exhibited at Somerset House, London (2015). She was also part of the public programs team for Melbourne Now (2013) at the National Gallery of Victoria, and previously the Cultural Program Manager for the Melbourne Fashion Festival (2009-2013). Mikala currently sits on the board of BUS Projects, Melbourne. In 2006 Mikala completed her Bachelor of Arts (Honours) at the University of Melbourne and in early 2015 submitted her PhD at UNSW Art & Design examining the influence of the Global City on China’s local art infrastructure.
Pedro de Almeida – Business Manager
Pedro is a curator, programmer, arts manager, writer and editor. He was Program Manager at 4A Centre for Contemporary Asian Art from 2012-2018. Curatorial projects for 4A include Dacchi Dang: An Omen Near and Far (2017); Sea Pearl White Cloud 海珠白雲 (2016, co-curated with Anthony Yung); MASS GROUP INCIDENT (2015, co-curated with Toby Chapman and Aaron Seeto); and Beijing Silvermine (2014). Independent curatorial projects include Ian North – Felicia: South Australia 1973-1978 (2013) for the Australian Centre for Photography. He previously held the position of Program Manager at Campbelltown Arts Centre in Sydney’s western suburbs where he worked across a multidisciplinary artistic program, including as Associate Curator for the major three-year project Edge of Elsewhere (2010-12) for Sydney Festival, and has held programming and editorial positions with Sydney Living Museums, Sydney Olympic Park Authority and Allen & Unwin. Pedro’s writing on art is published regularly, appearing in ArtAsiaPacific, Art Monthly Australasia and Broadsheet Journal among others, as well as several exhibition catalogues and artists’ monographs. He is editor of 4A Papers. Pedro recently participated in Experimenter Curators’ Hub 2017, Kolkata, an annual platform for developing and sustaining discourse on curatorial practice and exhibition making through critical discussion and debate.
Bridie Moran – Deputy Director
Bridie Moran is an arts manager, editor and programmer, who works across arts development, administration and media. Bridie was from 2017-2018 Board Director at Sydney artist-run initiative Firstdraft, and is assistant editor of The Journal of Australian Ceramics. She worked for over ten years in contemporary arts and cultural organisations, having worked with the Museum of Contemporary Art, Carriageworks, and the Australian National Maritime Museum; and as inaugural Program Manager of the Australia Council for the Arts’ National Craft Initiative, Executive Producer of Arts and Culture at FBi Radio, and as Partnerships and Marketing Manager at The Walkley Foundation. Bridie has a strong interest in arts governance, diversity, and craft practice, and in 2016 completed a Master of Museum and Heritage Studies at the University of Sydney with a dissertation on the history of craft policy in Australia.
Micheal Do – Assistant Curator
Micheal Do is a curator and writer. His exhibition Soft Core, exploring soft and inflatable sculptures developed for Casula Powerhouse Arts Centre, Sydney, is currently touring twelve regional and rural galleries throughout New South Wales, Victoria and Queensland. He was previously Producer of Creative Programs at The Red Room Company, Exhibition Manager at Penrith Regional Gallery & The Lewers Bequest, Exhibitions Manager at Liverpool City Council Library, and Programs Officer at Casula Powerhouse Arts Centre. Do curated Not Niwe, Not Nieuw, Not Neu (2017) for 4A and has also recently developed 5X5, a survey of 5 artist/collector relationships for Penrith Regional Gallery & The Lewers Bequest, Sydney (2018). Hiss arts writing appears in publications including Art Collector Australia, Art Review Asia and 10 Magazine. He is the 2018 recipient of The Freedman Foundation’s Travelling Scholarship for Curators.
Con Gerakaris – Program Coordinator
Con is a curator, arts administrator and writer who joined 4A as part of the project team for Yangjiang Group: Actions For Tomorrow (2015) as a project assistant. He completed a Bachelor of Arts (HONS) in 2013 and a Master of Art Curating in 2016 at the University of Sydney. Con has curated IT’S PRONOUNCED “GIF,” NOT “GIF” (2017), goodspace, Chippendale; CITIZENS OF NO PLACE (2018), Down/Under Space, Chippendale; Chris Yee: HI MEDUSA! (2019), Chinese Garden of Friendship; DARK FANTASY (2019), 4A Centre for Contemporary Asian Art; and D A R K S E A – Lynn Nguyen and J.S.D. Andrews (2019), goodspace, Chippendale. He was the curatorial assistant for Lee Kun-Yong: Equal Area (2018) at 4A Centre for Contemporary Asian Art and programmed Club 4A for Sydney’s Chinese New Year Festival 2018. He has published articles for 4A Papers, un. extended and Runway Conversations.
Kai Wasikowski – Operations and Production Coordinator
Kai is an artist working with photography, multimedia and object. Kai completed a Bachelor of Visual Arts (First Class Honours with University Medal) at the Sydney College of the Arts in 2016 where he was awarded the Deans Award for Honours and the Artereal Gallery Mentoring Award. In 2017 Kai’s work was shown in Hatched: National Graduate Show at the Perth Institute of Contemporary Arts where he was awarded the 2017 Schenberg Art Fellowship and a year-long Mentorship with Mikala Tai, Director, 4A Centre for Contemporary Asian Art. In 2018, Kai exhibited as a finalist in the Josephine Ulrick and Win Schubert Photography Award, the NSW Visual Arts Emerging Fellowship at Artspace (Sydney) and received a NSW Artists’ Grant from the National Association for the Visual Arts for his exhibition Climb, grip, hold at Firstdraft, Sydney. In 2019, Kai presented at Auckland Art Fair and Spring1883, mounted a solo exhibition at Artereal Gallery and participated for two months as artist-in-residence at the Three Shadows Photography Art Centre in Beijing and Xiamen. Recently Kai was awarded the Photography Award at the 2019 Fisher’s Ghost Art Award at Campbelltown Arts Centre, NSW.
Rob Henningham – Marketing and Programs Coordinator
Rob is an arts administrator and writer with a range of experience in arts administration and marketing across multiple disciplines in the arts at organisations including ACCA, The Australian Centre for Contemporary Art, Victoria’s flagship contemporary dance company Chunky Move and Melbourne’s premier LGBTQIA+ cultural festival Midsumma. Rob first started working with 4A on 2017 projects ‘Speculative Entertainment No. 1’ and ‘Progress: The Game of Leaders’ by Indonesian and Singaporean artist’s Uji (Hahan) Handoko Eko Saputro and Sam Lo. Rob is particularly passionate about accessibility in the visual art sector and in 2017 gained a Masters of Arts and Cultural Management at the University of Melbourne, where he completed intensive fieldwork studying contemporary art in China. He holds a Bachelor of Arts (Journalism) from La Trobe University and has worked with Fairfax Media across major news outlets including The Sydney Morning Herald, The Age, Spectrum Magazine and MMag.
Reina Takeuchi – Assistant Curator
Reina Takeuchi is an Australian-Japanese artist-researcher interested in interdisciplinary collaboration and facilitating embodied experiences of contemporary art. Influenced by her experiences living peripatetically across Asia and South-East Asia during her youth, Takeuchi uses an auto-ethnographic approach with her art/performance processes. Her practice spans across visual arts, choreography, curatorial projects, written publications and creative facilitation. Takeuchi graduated with Distinction from a Bachelor of Fine Arts at Queensland University of Technology (QUT), majoring in Visual/Studio Arts, minoring in Dance (2018), receiving the Eyeline Prize for an Outstanding Visual Arts Graduate in 2018. In the same year, as a part of the QUT Ars Electronica Futurelab Academy, she co-created and curated Dilate and Soundline, live-audience interactive installations, for the new media arts festival Ars Electronica in Linz, Austria. She has performed and collaborated with numerous Australian and international dance and visual artists and was a recipient of Dancenorth’s Artist Residency in the Tropics (A.R.T.). In 2019, Takeuchi commenced choreographic research through Sydney Dance Company’s Pre-Professional Year program for her Master of Philosophy candidature in Creative Practice at QUT. She works as a sessional tutor/facilitator with the university’s Widening Participation program which focusses on bringing creative practice methods to schools and communities in the greater Brisbane area. She has also published and contributed to publications including AusDance Qld, Delving into Dance and Eyeline Contemporary Visual Art magazine about her ongoing research and multi-disciplinary approach to art practice. Takeuchi now examines how Asian contemporary artists provoke critical dialogue within their communities through their contemplative approaches to art-making and sensitive, ritualised performance practices in her role at 4A.
Dacchi Dang – Gallery Assistant
Dacchi Dang is a Sydney-based photographic artist and independent researcher, specialising in alternative photographic processes. He is a former management committee board member at 4A 1997- 2003. Dacchi holds several degrees including a PhD from Queensland College of the Arts, Griffith University, and a Master of Arts, from the College of Fine Arts, University of New South Wales. He has exhibited his work in Australia and internationally since the mid-1990s at venues including Atelier Richelieu, Paris; Campbelltown Arts Centre, Sydney; Centre for Contemporary Photography, Melbourne; Contemporary Arts Centre of South Australia, Adelaide; Horsham Regional Gallery, Victoria; Metro Arts, Brisbane; Musée du Montparnasse, France; and Taito Community Museum, Tokyo. Artist residences include Cité Internationale des Arts, Paris; Hill End, NSW; and Bundanon Trust, NSW. A survey exhibition, Dacchi Dang: An Omen Near & Far, was presented at 4A in 2017 which showcased three-decades of work and a new commission supported by the Australia Council for the Arts which facilitated research in Japan and Vietnam. Dacchi recently completed the Major John Milton Gillespie Bequest art commission for the Australian War Memorial collection with a body of work that explores the experiences of Vietnamese–Australian veterans during the Vietnam Conflict.
Lucia Nguyen – Gallery Assistant
Lucia is a Vietnamese – Australian writer and events producer, who joined 4A as part of its Lunar New Year event activations in 2019. After working as a digital producer for News Corp Australia and Bauer Media, she is currently completing a Bachelor of Media and Communications (Journalism) at the University of Notre Dame Australia. She was awarded the 2018 Vice Chancellor’s Medal for the School of Arts and Sciences, First Prizes in Communications and Social Justice, and is a 2019 recipient of the DOOLEYS Lidcombe Catholic Club Scholarship. She holds a Diploma of Event Management and was previously the Supporting Events and Marketing Coordinator for the newly established Kensington Street in Chippendale, where she assisted in programming its inaugural 2016 Chinese New Year celebrations in collaboration with City of Sydney. With a particular interest in the impact of digital cultures upon the future of artistic production, Lucia’s writing has appeared in publications such as the University of Sydney’s Philament. In 2019, she also co-presented a paper at the Shakespeare FuturED conference.