4A Centre for Contemporary Asian Art fosters excellence and innovation in contemporary Asian and Australian culture through research, documentation, development, discussion and presentation of contemporary visual art.
We believe that Asian cultural thinking will have an important impact on the future. 4A’s aim is to ensure contemporary visual art plays a central role in understanding the dynamic relationship between Australia and the Asia-Pacific region.
4A has a distinctive approach to addressing Australia’s cultural diversity through a dynamic program including local and international exhibitions, public programs, workshops, seminars, symposiums and community activities. These have been recognised locally and internationally as having raised awareness of Asian-Australian art and culture and Australia‘s place in the Asia-Pacific region.
4A Curators' Intensive Program participants announced
4A Centre for Contemporary Asian Art is pleased to announce participants in the 2018 4A Curators' Intensive. The Intensive is an initiative developed by 4A Centre for Contemporary Asian Art to encourage professional advancement amongst early career Australian cultural practitioners with an interest in curatorial practice. In 2018, the Curators’ Intensive will take place in Melbourne between Monday 30 July – Friday 3 August, inclusive of 4A's This Is How We Do It Symposium.
This is the fourth iteration of 4A's Intensive program that has been offered biennially since 2012 with support from Copyright Agency’s Cultural Fund. In 2018, the program will be led by three established Asian-based curators and art facilitators - UCCA Director Philip Tinari (China), Reem Fadda (Palestine) and Joselina Cruz (Philippines), who are working in an international context with a particulate focus on the Asia-Pacific region alongside Melbourne based curator Natalie King.
2018 4A Curators' Intensive participants are: Annika Aitken (WA), Sabrina Baker (VIC), Andy Butler (VIC), Kate Davis (VIC), Saskia Gilmour (QLD), Kate Alida Mullen (WA), Nanette Orly (NSW), Emily Rolfe (NSW), Isabel Rouch (NSW), and Bianca Winataputri (ACT).
In 2018, applications to the 4A Curators' Intensive Program were assessed by a panel consisting of Mikala Tai (4A Centre for Contemporary Asian Art), Mami Kataoka (Artistic Director, 21st Biennale of Sydney and Chief Curator, Mori Art Museum, Tokyo) and Natalie King (Curator, Australian Pavilion for Venice 2017). Said Natalie King: "We were delighted to review a strong cohort of national applicants for 4A Curators' Intensive and select a cross section of curators from diverse fields and expertise ranging from ARI's to state museums and festival contexts. We hope that the group will be embark on the program with urgency and openness as 4A continues its vital mission of skilling the next generation of curators and arts workers."
4A Curators’ Intensive is an initiative developed by 4A Centre for Contemporary Asian Art to encourage professional advancement amongst early career Australian cultural practitioners with an interest in curatorial practice. In 2018, the Curators’ Intensive, will take place in Melbourne between Tuesday 31 July – Saturday 4 August.
This is the fourth iteration of this Intensive program that has been offered biennially since 2012 with support from Copyright Agency’s Cultural Fund. In 2018, the program will be led by three established Asian-based curators and art facilitators who are working in an international context with a particulate focus on the Asia-Pacific region alongside a Melbourne based curator.
In 2018 the Curators’ Intensive will feature:
- Natalie King (Melbourne, Australia)
- Philip Tinari (Beijing, China)
- Reem Fadda (Palestine)
- Joselina Cruz (Phillipines)
These curators, along with 4A, will deliver this program over four consecutive days through a mix of public discussions and closed forums. The fifth day is the annual 4A Symposium which is being presented with The University of Melbourne at the VCA. 4A Curators’ Intensive will consist of public presentation by each international curator followed by closed session workshops, studio visits, exhibition visits, collection visits and roundtable led discussions where the participants actively engage with issues raised by curators during their public presentations.
4A Curators’ Intensive is rigorous and suited for curators interested in expanding their engagement with contemporary Asian art, in particular, how Australia engages with Asia. While focused on a broad conception of contemporary Asian art, this program will encompass a much larger range of curatorial discussions and have a particular focus on curatorial methodologies, models and frameworks. The participating curators have a wide variety of experiences from socially engaged art, curating local history, developing large-scale commissions, international perspectives, as well as museums and independent spaces.
Participants will be required to attend and participate in all aspects of the five-day program. This will include evening presentations and active involvement in the workshops.
Participating curators will, for the first time in 2018, be invited to submit proposals for both The Peacock Gallery, Auburn, and another space in Western Sydney to be announced, for their upcoming exhibition programs. Successful applications will be supported to realise their exhibitions by both 4A Centre for Contemporary Asian Art and the host gallery.
Natalie King is an Australian curator and arts leader with more than two decades experience in international contemporary art realising landmark projects in Italy, India, Indonesia, Japan, Korea, Singapore, Taiwan and Vietnam. In 2017, she was Curator and Editor of Tracey Moffatt: My Horizon, Australian Pavilion at Venice Biennale. Natalie’s expertise spans the lifecycle of artistic production from new commissions, grant-making, artistic partnerships, stakeholder relations, fundraising, publications and programming. She is widely published in arts media and a Member of the International Association of Art Critics, Paris. She is currently an Enterprise Professorial Fellow, Victorian College of the Arts, University of Melbourne; Curator, Editor & Writer.
Philip Tinari is the Director of Ullens Centre for Contemporary Art (UCCA), Beijing. Prior to joining UCCA, Tinari launched LEAP, an internationally distributed, bilingual magazine of contemporary art published by the Modern Media Group, in 2009. He is a contributing editor of Artforum, and was founding editor of that magazine’s Chinese edition in 2007. Widely regarded as an authority on China’s contemporary art scene, he was co-curator, with Alexandra Munroe and Hou Hanru, of the 2017 exhibition “Art and China after 1989: Theater of the World” at the Solomon R. Guggenheim Museum in New York.
To apply to submit a single PDF document including:
1. A Cover Page with your name, address, phone number and email address
2. A Letter of Intent addressing your interest in participating in the program; why the Curators’ Intensive will be beneficial to you; how your skills and research will contribute to the process and how it will contribute to the development of your practice. Maximum one page.
3. A Statement which outlines your current curatorial or research focuses and interests. Maximum one page.
4. A CV illustrating relevant curatorial projects or work experience. Maximum one page.
5. An example of existing curatorial writing. This can be a room sheet, wall text or catalogue essay or something similar.
Download the application form here.
Applications should be submitted via email, to Micheal Do: email@example.com
Applications closed 6.00PM Tuesday 8 May 2018. Applications will be assessed approximately two weeks following the submission deadline.
- Up to 10 individuals will be selected by a panel consisting of Mikala Tai (4A Centre for Contemporary Asian Art), Mami Kataoka (Artistic Director, 21st Biennale of Sydney and Chief Curator, Mori Art Museum, Tokyo) and Natalie King (Curator, Australian Pavilion for Venice 2017) to take part in this program.
- Participants will be paid a small honorarium for their involvement.
- 4A will offer support for up to three interstate participants through provision of return flights to Melbourne and accommodation.
If you have any questions in relation to the program or how to apply please contact Micheal Do on (02) 9212 0380 or firstname.lastname@example.org
4A Curators’ Intensive 2018 is an initiative of 4A Centre for Contemporary Asian Art and is supported by Copyright Agency’s Cultural Fund.
Header image: 4A Curators' Intensive 2016 participants visiting the studio of artist Abdullah M.I Syed.
Previous participating curators and recipients
2016 Curators: Carol Yinghua Lu (Beijing, China), Khaled Sabsabi (Sydney, Australia), Zarmeneé Shah (Karachi, Pakistan) and Pooja Sood (New Dehli, India)
2016 Participants: Hanann Al Daqqa (VIC) Joanna Bayndrian (NSW) Micheal Do (NSW) Alana Hunt (WA) Anabelle Lacroix (VIC) Luke Letourneau (NSW) Melissa McGrath (SA) Laura McLean (NSW) Adam Porter (NSW) Talia Smith (NSW) Amelia Wallin (NSW)
2014 Curators: Cosmin Costinas (Hong Kong), Dr. Sophie McIntyre (Canberrra, Australia) and Robin Pekham (Hong Kong/Beijing, China)
2014 Participants: Miriam Arbus (VIC), Mira Asriningtyas (Indonesia), Andrew Ewing (NT), Sebastian Goldspink (NSW), Sophie Kitson (NSW), Alana Kushnir (VIC), Tess Maunder (QLD), Tulleah Pearce (NSW), Gintani Nur Apresia Swastika (Indonesia), Luisa Tresca (NSW), Kyle Weise (VIC) and Chloé Wolifson (NSW)
2012 Curators: Qiu Zhijie (Fujian, China)
2012 Participants: Bronwyn Bailey-Charteris (VIC), Martina Baroncelli (NSW), Toby Chapman (NSW), Janis Ferberg (NSW), Joe Mu (NSW), Joseph Scott (VIC), Adele Sliuzas (SA), Veronica Tello (NSW/VIC), Samuel Zammit (NSW).
4A Beijing Studio Program 2019 is supported by ArtChain Global.
Applications for the 2019 Program are now open.
The 4A Beijing Studio Program is now in its eighth year, and provides Australian artists with a valuable opportunity to research new projects in rich cultural surroundings, build professional networks and observe the changes taking place in one of the most important cities in Asia.
The 4A Beijing Studio Program is a unique initiative that sees three Australian artists embark on a month-long residency in September at the studios of internationally renowned Chinese-Australian artist Shen Shaomin. This experience provides a unique opportunity for artists to be mentored by a leading international artist, undertake research for new works, develop professional networks and witness first-hand the changes occurring in one of the world’s most vibrant capitals. The program covers airfares, accommodation, daily meals, travel insurance and a small stipend.
In 2019, for the first time, this special 4A initiative is being supported by ArtChain Global, a new platform working at the intersection of blockchain technology and contemporary art. With ArtChain Global's generous support, we are able to amplify opportunities for artists to explore the region.
APPLICATIONS OPEN NOW
4A Beijing Studio Program has been developed as part of 4A Centre for Contemporary Asian Art’s broader professional development program for arts professionals. Together with the annual 4A Emerging Writer’s Program and the biannual 4A Curators’ Intensive, the 4A Beijing Studio Program supports emerging Australian talent to work within the Asia-Pacific region.
About Shen Shaomin
Over the last twenty years Chinese-Australian artist Shen Shaomin has forged an important international career with an emphasis on experimental, conceptual and installation works. Based in Beijing, and having spent over a decade in Australia, Shen’s work spans a number of medium and explores individual and collective experiences of humanity and their impacts on our natural and constructed surroundings. Shen Shaomin has previously exhibited with 4A in The Floating Eye, Sydney Pavilion, 9th Shanghai Biennale (2012); and presented the solo exhibition, The Day After Tomorrow (2011). His work has been included in Liverpool Biennial (2006) and the 17th Biennale of Sydney (2010) and most recently featured as part of Busan Biennale 2016 and at Encounters, Art Basel Hong Kong 2017. In China he has exhibited at Today Art Museum, Beijing; Tang Contemporary, Beijing; Platform China, Beijing; Shanghai Zendai MoMA, Shanghai; and Osage Gallery, Hong Kong. Across Europe and North America selected exhibitions include, Groniger Museum, Holland; Urs Meile Gallery, Switzerland; ZKM Museum Karlrusche, Germany; Millennium Park, Chicago and Eli Klein Fine Art, New York.
Eligibility and criteria
Applications are open to visual artists who are Australian permanent residents. We are looking for artists who will benefit from the professional mentorship offered by Shen Shaomin; cross cultural exchange and access to 4A’s networks in China; and dialogue and bonding between residents.
Successful applicants will be selected based on the quality of their past work, reasons for participation, viability of their participation and the potential benefits to the applicant’s artistic development. Decisions will be made by an independent panel and all decisions are final.
Successful artists must be available for travel to Beijing, for one month from Tuesday 17 September 2019 - Tuesday 16 October 2019. The program includes return airfares, accommodation, travel stipend and travel/medical insurance. Dates are non-negotiable. All selected artists will be travelling at the same time.
To apply for the 4A Beijing Studio Program please complete the application form here and include the following:
- A 250 word statement of why you would like to participate in the program
- A 250 word statement of how you will benefit from the experience
- A current Artist’s CV. Maximum one page.
- Support Material in the format of a PDF with 10 images (72 dpi), including captions and explanations where appropriate. Video content should be supplied as a URL web link within the PDF (maximum 10 minutes duration). Please do not send individual files. Original material will not be returned.
Provisions and amenities
4A will provide the following to successful applicants:
- Return economy airfare to Beijing from your nearest Australian state capital city.
- Accommodation at the Shen Shaomin Studio for the duration of the Program.
- Access and use of the Shen Shaomin Studio facilities, including a print-room, painting studio and video projection room.
- Daily meals.
- A travel stipend sufficient to cover personal expenses for the duration of the Program.
- Access to an interpreter (Chinese/English) during Program.
- Reimbursement of Chinese visa costs.
- Appropriate travel insurance for the period of the Program.
- Accommodation and facilities are housed at the Shen Shaomin Studio located 52 km north of Beijing’s city center (approximately 45 mins drive from Beijing Capital International Airport). The Studio contains newly built premises with modern conveniences. The Studio will provide artists with daily meals in addition to a stipend sufficient for personal needs over the duration of the Program. A driver/interpreter will be available for a limited number of days to explore surrounding artists’ studios, galleries and other locations. Chinese language skills are not necessary.
Terms and conditions
- Artists are responsible for obtaining necessary visas for entry into China and for obtaining appropriate travel insurance if they choose to decline 4A’s policy cover.
- Artists are responsible for any excess baggage or freight to/from the Studio/Beijing.
- Artists will be asked to sign an agreement that outlines the terms of the Program and their travel.
- Upon return to Australia, artists will be required to take part in a public discussion about their participation in the Program.
- Artists are to conduct activities with regard to not creating undue noise or other conduct which may disturb or annoy others in adjoining studios or premises.
Complete the application form at this link to apply.
Enquiries should be directed to:
4A Centre for Contemporary Asian Art
Phone: +61 2 9212 0380
2018: Chun Yin Rainbow Chan (NSW), Dean Cross (ACT/NSW), Andrew Liversidge (VIC) and JD Reforma (NSW).
2017: Tane Andrews (NSW), Nathan Beard (WA) and Caroline Garcia (NSW).
2016: Abdul-Rahman Abdullah (WA), Eugenia Lim (VIC) and Justin Shoulder (NSW).
2015: Robert McDougall (VIC) and Angela Tiatia (NSW).
2014: Claudia Nicholson (NSW) and James Nguyen (NSW).
2013: Tully Arnot (NSW), Sarah Contos (NSW) and Jensen Tjhung (VIC).
About the 4A Emerging Writer's Program
Following the inaugural offering in 2016, 4A Centre for Contemporary Asian Art is pleased to announce the fourth consecutive 4A Emerging Writer’s Program that will support an emerging Australian writer to travel to Indonesia in 2019 and realise two publication outcomes.
4A Emerging Writer’s Program is open to all Australian emerging writers and suits individuals with a keen interest in fieldwork research in art and culture from the Asia Pacific region, and someone who can demonstrate a flair and passion for writing.
The selected writer will undertake up to a two-week research trip to Indonesia in late 2019. Facilitated by 4A and its networks, the writer will be asked to conceive and deliver two writing outcomes for publication in 4A Papers and program supporter Art Monthly Australasia. This may include a critical essay, historical research, interview, review, profile, or feature with accompanying online audio-visual content. The writer will be supported by the team at 4A and its networks in Indonesia, and in particular by Pedro de Almeida, Editor, 4A Papers and Michael Fitzgerald, Editor, Art Monthly Australasia.
4A Emerging Writer’s Program has been developed as part of 4A Centre for Contemporary Asian Art’s broader professional development program for early career arts professionals. Together with the annual 4A Beijing Studio Program and the biannual 4A Curators’ Intensive, the 4A Emerging Writer’s Program supports emerging Australian talent to work within the Asia-Pacific region.
4A Emerging Writer’s Program is an initiative of 4A Centre for Contemporary Asian Art and supported by Art Monthly Australasia.
Applications open: 2 May 2019
Application close: Monday 9AM AEST, 27 May 2019 (5.00pm AEST)
Travel dates: late 2019 (exact dates of itinerary to be determined in consultation with 4A).
The selected writer must be:
Over the age of 18 years.
An Australian citizen or permanent resident.
The definition of “emerging” is a writer who has not previously published more than 20 texts in any subject, in print or online (personal blogs or self-published platforms excluded).
4A will provide the selected writer with:
Return airfare from the recipient’s nearest state capital city to Indonesia.
Accommodation, per diems and travel insurance for the period of the trip.
To apply, submit the following:
- A Cover Page with your name, address, phone number and email address.
- A Statement of Intent that outlines your current writing or research focuses; your interest in participating in the program, articulating your specific area of interest undertake fieldwork in Indonesia; how it will be beneficial to you; and how it will contribute to the development of your research and writing practice. Maximum one page.
- A Proposed Collection of Writings that you would produce as part of this project. Maximum one page.
- A CV illustrating relevant study and work experience, previously published texts, personal projects and achievements. Maximum one page.
- A Writing Sample of up to 1,000 words (this can be unpublished and preferably in a professional writing style rather than academic in tone).
Shortlisted writers will be asked to provide evidence of date of birth and Australian permanent residency status.
Applications should be submitted via email, post or in person to:
Pedro de Almeida
Editor, 4A Papers
4A Centre for Contemporary Asian Art
Post: PO Box K1312, Haymarket NSW 1240
If you have any questions in relation to the program or how to apply please contact Pedro de Almeida on (02) 9212 0380 or email@example.com
2018 4A Emerging Writer’s Program - Lleah Amy Smith
Lleah Smith was the 2018 4A Emerging Writer’s Program participant, lived and worked across India and Australia since 2011, she returned to Sydney in May 2017 after living and working in Delhi consecutively for two and a half years. Lleah Smith’s research practice is largely centralised within the Global South; she is an artist, educator and arts writer and therefore sits at the nexus of creator and facilitator. She is primarily interested in how audiences engage with art and how people learn about art. In December 2018, Smith travelled to India to undertake field work and build connections in one of the most diverse and vibrant contexts for contemporary art making and its engagement across cultures and societies in our region.
Lleah Smith received an Honours Degree in Fine Arts and Masters of Art Administration from the University of New South Wales Art and Design; throughout her University career she was listed on the UNSW Dean’s List for Outstanding Academic Achievement in 2011 and 2012 and was the John Gage Prize recipient in 2013. She has exhibited widely nationally and internationally, facilitated learning programs in Australia and abroad and has been published independently and as part of the UNSW online press, Biennale of Sydney Student Newspaper, Khoj International Artists’ Association’s Semiannual Publication, The Wall Art Magazine and Kaldor Public Art Projects’ Education Kit.
In 2018, 4A received an increase in the number of applications compared to 2016 and 2017 while maintaining a diversity of applicants in terms of place of residence around Australia, attracting proposals from NSW, ACT, VIC, SA and WA. Additionally, the selection committee - Pedro de Almeida, Editor, 4A Papers, Gina Fairley, Editor, ArtsHub, and Michael Fitzgerald, Editor, Art Monthly Australasia - were impressed by the range of career achievements of many of the applicants, as well as the clear evidence of demonstrating initiative in building upon their careers in a global context including, for several applicants, in India.
Said Micheal Fitzgerald: "In its third year partnering with 4A, I has seen the 4A Emerging Writer's Program grow in stature as well as geographically and thematically, and with the opportunity for an emerging writer to spend research time in India in late 2018, this year's candidates proposed an abundance of tantalising submissions. Lleah Smith stood out for the groundedness of her desired approach, with a keen interest in public art and education, and with the potential to build on her already impressive networks and knowledge."
ArtsHub editor Gina Fairley echoed these comments, saying: "The capacity and curiosity with which Lleah Amy Smith approached this 4A writing residency was impressive. Hers was an application that sought to delve into the bridges we construct as visitors to India’s layered and rapidly shifting art scene by looking at that trajectory of change through an expat experience framed by historical text, to the dynamic use of public space and art education systems. It was a fresh and considered application, and it was clear Lleah could land in India and confidently build upon her research interests and deliver texts that were regionally alert and timely."
2017 4A Emerging Writer’s Program - Mitiana Arbon
Mitana Arbon, is an Honours student at the School of Culture, History, and Language at the Australian National University. Mitiana traveled to Samoa in late 2017 to undertake research and build engagement with local artistic communities in Upolu and Savai’i. His writing developed from this trip will be published in 4A Papers Issue 4 (May 2018) and Art Monthly Australasia soon after.
2016 4A Emerging Writer’s Program - Minerva Inwald
Over two weeks spanning late May and early June 2016, Minerva Inwald, 4A’s 2016 Emerging Writer’s Program recipient, traveled to Guangzhou, China, to experience the lead up to Sea Pearl White Cloud 海珠白雲, a collaborative two-stage exhibition project produced by 4A Centre for Contemporary Asian Art and local independent contemporary art space, Observation Society, that saw presentations in Guangzhou and Sydney. Sea Pearl White Cloud presented new works by Australian artist Lucas Ihlein and Hong Kong-based artist Trevor Yeung that are informed by questions of temporality, exchange and poetics while reflecting on the urban condition in the twenty-first century. Read her piece for the 4A Papers here. Minerva’s text for Art Monthly Australasia was published in its September 2016 issue.
Jason Phu, a multidisciplinary contemporary artist based in Sydney. Jason is using the space to focus on the development of several exhibitions. The Burrangong Affray at 4A Centre for Contemporary Asian Art, The Dobell Drawing Biennial at The Art Gallery of New South Wales and Primavera at the Museum of Contemporary Art. http://www.jasonphu.com
Frances Barrett , a curator and artist currently based on Gadigal land, Sydney. Her interests in live art forms and collaborative processes inform both her curatorial and artistic practice. Frances is using the space as she focuses on completing her PhD. http://francesbarrett.com
Applications for 2019/2020 will open in early 2019.
Image above: Jason Phu, 2018, 4A x World Square Studio Program Resident. Image: Kai Wasikowski for 4A Centre for Contemporary Asian Art.
Image below: Frances Barrett, 2018, 4A x World Square Studio Program Resident. Image: Kai Wasikowski for 4A Centre for Contemporary Asian Art.
Our internship program is entirely project based and interns will apply for specific positions that accompany an element of 4A’s program. From curatorial assistance, fundraising assistance, marketing assistance or production assistance these positions will be clearly defined and have clear deliverables for 4A and clear learning outcomes for the intern.
Applications are currently closed for 4A’s Autumn/Winter 2019 internship program.
Autumn/Winter Internship, April 30 - July 29 2019
The 4A Autumn/Winter 2019 internship will have two key focus areas: audience development, and archiving. Between April 30 - July 29 2019, the appointed intern will work with the 4A team to build skills in audience development, including assistance in front of house duties, marketing and events tasks and more, gaining experience in a wide range of programs as part of our April - May exhibition By All Estimates and our June-July exhibition The Invisible Hand.
In addition, the selected candidate will develop skills and work independently on 4A’s archiving project, developing skills in digitisation, digital archiving and basic web content management, on our 4A Archive project.
While previous experience in audience engagement, visitor services and archiving will be highly regarded, all applicants are encouraged to apply. The selected candidate will be required to agree to a schedule of work as outlined below, inclusive of some weekend periods.
Reporting to: Bridie Moran, Engagement and Development Manager, 4A Centre for Contemporary Asian Art Time commitment: Mondays and Thursdays (or two other weekdays as negotiated) between April 30 - July 29 2019; plus Saturday 11 May, and Saturday 25 May; and Saturday 15 June, and Saturday 22 June, 2019.
To apply please send your CV along with a cover letter outlining your interest and experience to 4A Engagement and Development Manager, Bridie Moran: firstname.lastname@example.org
Applications closed for this opportunity on Friday 26 April. Stay tuned for future opportunities.